Evan Tetreault is a photographer from hartford, CT. his photography is mostly fashion/ portrait, dispite still being in college evan has worked with; puma, the new york times, richard branson, a$ap rocky, urban outfitters and lorde. he prefers to use film over digital because he thinks "film is about making an image, its more hands on, digital is kind of a cop out."
evan started off by wanting to create a photo diary, he started by taking landscapes, pictures of friends or anything he found aesthetically pleasing, Evan developed his style through using white tones in contrast with warm skin tones and shooting candid shots as opposed to staged settings.
2013
in this picture a man is throwing a bag up to a woman in an apartment.
i like this picture because it looks like hes really captured the moment, the mans shadow looks like its connected to the soles of his shoes. almost everything in the photo is the same colour, the buildings, the street the mans clothes are all concrete grey.
2013
car park, echo park
i like this picture cause it looks almost fake, like its part of a movie set
2013
noah
this pictures pretty cool because of the focus, it looks like they're 2 different photos put together
http://www.evantetreault.com/#/
http://evantetreault.tumblr.com/
http://hypebeast.com/2013/6/through-the-lens-evan-tetreault
Monday, 24 February 2014
Thursday, 13 February 2014
gregory crewdson
Gregory Crewdson is an American
photographer known for his staged photography of American suburbs and
neighborhoods. Crewdson grew up in Brooklyn, new york and attended John Dewey High
School, in the 70s he was in a punk
band that was popular in the new york scene, their song “let me take your
picture” was featured in a camera advert.
After his band broke up he moved
on to study photography in the 80s, He received his Master of fine arts from Yale University after he received his degree he went on to teach at the
Yale University School of Art.
In 2012 Ben Shapiro directed a film called “Gregory
crewdson: brief encounters” about crewdon, the film opened at south by south
west on march 10th, it was met with praise from critics and fans.
Crewdson
focuses on the American suburb but adding a surreal element to the photo, his
photographs are incredibly elaborate, often taking months to create with large
sets and big crews, his production is very similar to a major film production.
Crewdson has often praised the david lynch and Hitchcock films blue velvet and
vertigo for influencing his style.
Gregory Crewdson.
in a lonely place series.
Gregory Crewdson.
Ophelia.
2001
this
photo is very similar to the second one, it’s a normal looking American neighborhood
but theres a semi-nude character standing infront of this woman and her
daughter in the car, almost as if they were an alien, the woman has dropped one
of her shopping bags on the floor out of shock
Gregory Crewdson.
Twilight.
2002
http://en.wikipedia.org/wiki/Gregory_Crewdson
http://whitecube.com/artists/gregory_crewdson/
http://www.vam.ac.uk/content/articles/p/gregory-crewson/
http://en.wikipedia.org/wiki/Gregory_Crewdson
http://whitecube.com/artists/gregory_crewdson/
http://www.vam.ac.uk/content/articles/p/gregory-crewson/
Thursday, 6 February 2014
Henri Cartier-Bresson
Henri Cartier-Bresson was a french photographer who popularized photojournalism. he used 35mm film, he helped start real life reportage/ street photography.
Cartier was born into a well off french family and studied art and trained as a painter. he only started his carreer in photography in the early 1930s after a visit to the ivory coast. he was the oldest of 5 children, his family were landowners and cotton merchants in Normandy, where he spent most of his childhood.
his first photojournalism photos were published in 1937, by a french magazine, called regards, he was hesitant to use his full name so he went by "cartier". the photos were of the coronation of king George, there were no actual photos of the king, they were mostly crowd shots of london. after the war cartier went on to focus on the tragedies of life.
during the early 70s bresson retired from photography and focused on painting and drawing, bresson said that he kept his camera locked in a safe and only took it out for the occasional portrait.
New York City. Manhattan. Downtown.1947.
Photograph (gelatin silver print)
the photo shows a man down a narrow pathway in-between 2 buildings with his head on his arms.
France. Brie. 1968.
the photograph is of a road that is covered on the sides by parallel trees.
http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53ZMYN
http://en.wikipedia.org/wiki/Henri_Cartier-Bresson
Cartier was born into a well off french family and studied art and trained as a painter. he only started his carreer in photography in the early 1930s after a visit to the ivory coast. he was the oldest of 5 children, his family were landowners and cotton merchants in Normandy, where he spent most of his childhood.
his first photojournalism photos were published in 1937, by a french magazine, called regards, he was hesitant to use his full name so he went by "cartier". the photos were of the coronation of king George, there were no actual photos of the king, they were mostly crowd shots of london. after the war cartier went on to focus on the tragedies of life.
during the early 70s bresson retired from photography and focused on painting and drawing, bresson said that he kept his camera locked in a safe and only took it out for the occasional portrait.
Cartier used a leica 35 mm rangefinder cameras equipped with 50mm lenses or a wide-angle for landscapes, He would wrapped black tape around the camera's frame to make it less conspicuous. He never photographed with flash as he thought it was rude. cartiers visual style focused around catching movement as it was happening. he never took a colour photograph, his work was entirely in black and white
Spain. Andalucia. Seville.
1933.
Children Playing in the Ruins
the photo is of children playing in the ruins of what looks like a hospital, one of the children has a pair of crutches.
New York City. Manhattan. Downtown.1947.
Photograph (gelatin silver print)
the photo shows a man down a narrow pathway in-between 2 buildings with his head on his arms.
France. Brie. 1968.
the photograph is of a road that is covered on the sides by parallel trees.
http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53ZMYN
http://en.wikipedia.org/wiki/Henri_Cartier-Bresson
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